 
PAST EXHIBITIONS
March 1 - 15
Reception Sunday, March 2, 2 - 4 PM
Youth Art Show: Elementary School Students
Art works by McLean area elementary school students, organized by
Fairfax County Public School Art Teachers
March 25 - April 8
Reception Thursday, March 27, 5:30 - 7:30
Youth Art Show: Middle and High School Students
Artworks by McLean area middle and high school students, organized by
Fairfax County Public School Art Teachers |
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January 24 – February 23
Reception and Juror’s Talk:
Thursday, January 24, 7 – 9 PM
curator's essay
Personal Geometry
Emerson Gallery:
Artists have always drawn inspiration, format and subject from the world of geometry. Throughout history many art movements have geometric concepts or structures at their root or as a major component. As a general rule, geometrically related work is often pristine, hard-edged and detached. This exhibit brings together the work of six artists who incorporate geometry, either conceptually or as a central compositional component, while also including elements or techniques that allow for personal expression. In so doing, the duality between structure and order and expressive spontaneity is highlighted. Featured artists include David Carlson, Betsy Damos, Carol Brown Goldberg, Francie Herster, Kathy Snow Stratton and Lynda Ray.
all nearness pauses
new work by Karey Kessler
(inspired by the poetry of e.e. cummings)
Atrium Gallery:
Using pieces of the already fragmented poems of e.e. cummings as a starting point, this series of atmospheric maps represents Kessler’s attempt at depicting space, time and the experience of place. The elusiveness of memory and the internal landscape of emotion are explored through a combination of color, line, image and words.
Karey Kessler
All Nearness Pauses
8 x 8 inches, watercolor on rice
paper, 2007
Fields and Flora: New Work by Naomi Chung
Ramp Gallery:
In an attempt to involve all the senses, Naomi Chung creates paintings that fuse landscape and abstraction. Relying heavily on the process of painting, which for Chung involves equal parts building up and scraping back the image, she attempts to depict an event as it unfolds rather than a specific place or moment in time. Also included are etchings that evolve in a similar manner while exploring the essentially expressive possibilities of line work.
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David Carlson
Two Mirrors, 2006,
oil and acrylic on canvas, 37 x 29 inches
Besty Damos
The End of Blue, 2004, 30 x 50, acrylic over paintstick
on paper on canvass
Francie Hester
Vestige 75, 2007
acrylic and encaustic on aluminum panel
Lynda Ray
Blue Ripple, encaustic, 40 x 48
Naomi Chung
Expanse, color etching, 6 x 10 inches, 2006
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November 29, 2007 – January 12, 2008
Reception and Juror’s Talk:
Thursday, November 29 , 7 – 9 PM
Transform, Transport, Transpose:
Works by Leigh Taylor Mickelson,
Judit Varga, and Lars Westby
curator's essay
Emerson Gallery:
Each of these artists begins with ordinary objects or shapes and transforms them into lively, animated sculpture full of humor and poetry. Using clay as a primary material, these three artists are able to bring an instinctive spontaneity to the highly individualized process of transporting the mundane and pedestrian into a realm electrified through imagination.
Passing Fancies (Everyone's
a Stranger Here): Paintings
by Lynn Putney
Atrium Gallery:
Using an abstract vocabulary, Lynn Putney creates small, subtle paintings that glow with a quiet, magical intensity. Arranged in constellation-like formation, the works evolve through a process of sifting and distilling, as Putney layers the thoughts, feelings and visual stimuli accumulated through daily living into compositions that spark universal recognition.
Lynn Putney
Safe (Fly Away Home),
2007, 12 x 18 inches, casein on wood
McLean Art Society
Juried Exhibition
Ramp Gallery:
An eclectic mix of work by members of the McLean Art Society. Juried by artist and George Mason University professor Walter Kravitz.
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 Leigh Taylor Mickelson
Duet No. 1
2007, ceramic |
Lars Westby
Calca 2
2007, earthenware |
Judit Varga
Mt. Ararat
2007, cone 6 porcelain with colored slips
19x15x10 inches
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September 20 – November 3
Reception and Juror’s Talk:
Thursday, September 20 , 7 – 9 PM
Postcards from the Real: Works by Josephine Haden
Curator's Essay
Emerson Gallery:
Using subtle but efficient compositional devices, Arlington artist Josephine Haden toys with perceptual expectations in these large-scale landscape based paintings of open-ended allegorical vignettes. Blending open sky, vast bodies of water and soaring vistas with magazine, vacation and animal imagery, Haden creates visual stories that ask as many questions as they answer. Like postcards from another time and place, these paintings offer viewers a glimpse into a world where imagination transforms the mundane and banal into the extraordinary and unexpected.
Genomes and Daily Observations : An Installation by Suzanne Stryk
Atrium Gallery:
In this installation, Virginia artist Suzanne Stryk brings together a grid of exquisitely poetic drawings of natural objects and modern genetic symbols, an antique desk depicting the workspace of a nineteenth century natural historian, and a mirror reflecting both the images on the walls and the image of the current viewer. Using these basic elements, Stryk contrasts and blends today's world of high tech science with the more intimate knowledge of nature gained through the careful and close observational scientific techniques of the past. At the heart of this work are questions regarding the reconciliation and coexistence of scientific knowledge with a personal reverence for the mysteries of nature.
Fairy Tales : Paintings by Joy Every
Curator's Essay
Ramp Gallery:
Landscape, fantasy and fairy tale co-exist in these expressive paintings which draw heavily on images from the subconscious and both dark and lightuniversal symbolic content. Color, pattern, texture and other formal compositional elements are explored within the context of the landscape, while mysterious imaginary worlds are seamlessly blended with the familiar.
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Josephine Haden
No Trespassing
acrylic on canvas, 2004, 60"x 76"
Josephine Haden
Solitude
acrylic on canvas, 2004, 60"x 76"
Suzanne Stryk
Woodpecker
mixed media on paper, 2005-6, 10"x 14"
Joy Every
Blood of An Innocent
acrylic on canvas, 2004, 51 "x 53.5 " |
June 21 – July 28
Reception and Juror’s Talk:
Thursday, June 28, 7 – 9 PM
Strictly Painting 6: Color Field Revisited
Emerson Gallery:
As part of the city-wide arts initiative, Color Field Remix, MPA’s painting biennial, Strictly Painting, will focus on artists working in the mid-Atlantic region who see themselves as having been influenced by the Washington Color School movement.
Kristen Hileman, Assistant Curator at the Hirshhorn Museum and Sculpture Garden, juried this year’s exhibition.
List of Artists:
Timothy App
Steve Adams
John James Anderson
Ryan Carr Johnson
Jeffry Cudlin
Joel D'Orazio
Corey Drieth
Suzanna Fields
Gunnel Gyllenhoff
Ron Johnson
Lisa Kellner |
Tammy Maloney
Kathryn McDonnell
Nick Moses
Dory Obendorfer
Frank Phillips
Jo Smail
Kathy Snow Stratton
Marty Weishaar
Andrew Wodzianski
Cynthia Young |
The Fabric of Memory: New Works by Catherine Day
Atrium Gallery:
In these photographic works printed digitally on multiple layers of transparent fabric, Catherine Day explores the sifting and sorting processes by which the essence of memory is revealed.
MPA/Corcoran College of Art + Design
Student Exhibition
Ramp Gallery:
Works by students taking classes at the McLean Project for the Arts in partnership with the Corcoran College of Art + Design.
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Catherine Day
Cross
pigment print on silk, 22 x 24, 2007
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April 19 – June 9
Reception and Artist’s Talk:
Thursday, April 19, 7 – 9 PM
Walter Kravitz: New Work
Emerson and Atrium Galleries:
Drawing from a broad array of influences spanning from Hieronymus Bosch to Arshile Gorky, Walter Kravitz creates large-scale drawings and paintings of landscape and figurative motifs in various states of both abundance and decay. With a surrealist’s openness to spontaneity and intuitive understanding of the subconscious, Kravitz builds these works using exquisitely expressive line work and a restrained and judicious use of color. The viewer is drawn into a world fascinating and compelling yet strange and disorienting as well.
Solomon Wondimu: Skin Color Project
Ramp Gallery:
Working with a palette of over 1,000 tone originating from close-up photographs of skin, Solomon Wondimu creates mural-sized digital images and paintings that explore the conflicts and assumptions that exist between the eye and the mind around the concept of skin color.
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Walter Kravitz
Limbo
graphite and watercolor,
48 x 72 inches, 2006
 Walter Kravitz
Surface Illunination
charcoal, acrylic on canvas,
96 x 72 inches, 2003-6
Solomon Wondimu
From Skin Color Project, Forearm Images,
48 x 48 inches, Digital Print, 2005
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26th Annual Youth Art Show
March 3 – 17
Elementary School Artists
Reception March 4, 2 – 4 PM
MPA, in conjunction with Fairfax County schools presents the work of students I kindergarten through sixth grade from the McLean area. On exhibit will be work by students from Chesterbrook, Churchill Road, Franklin Sherman, Haycock, Kent Gardens, Lemon Road, Spring Hill and Westgate Elementary Schools.
March 22 – April 7
Middle and High School Artists
Reception March 22, 5:30 – 7:30 PM
Students from McLean area middle and high schools will present their art. On view will be works by students from Cooper middle School, Longfellow Middle School, Langley High School and McLean High School.
January 25 through February 24, 2007
Reception and Gallery Talk,
Thursday January 25, 7 - 9 PM
Tea and Tour of the Exhibitions
February 15, 10:30 am
No charge, but please call 703-790-1953 for reservations
Emerson Gallery:
Natural Inclinations: Works by Margaret Boozer, Elizabeth Burger, Marc Robarge and Laura Thorne
Curator's Essay
This exhibit features four artists who create work derived from the natural world.
Fantastical imagination is combined with the most familiar of natural forms and the most basic materials and surfaces to create sculptures that grow up, around or out of nature. Both the grand vastness of the world and the fascinating, magnified minutia are represented in these works, many of which seem to have sprung up or eased into being on their own. Natural materials are deftly exploited and sometimes placed in contrast with the industrial to create a sharp and potent visual and conceptual dialogue..
Atrium Gallery:
Veer: Paintings by Janet DeCover
Richmond artist Janet DeCover exhibits new abstract paintings in oil on wood panel. Both lively and poetic, these works transport the viewer into an evocative, dreamlike atmosphere where colors and shapes softly shift in concert with each other. These works offer a playful glimpse into a spontaneous world where the mystical, mysterious subconscious blends seamlessly with temporal reality.
Ramp Gallery:
Multitudes: A Catolog of Identity Paintings
by Maroe Susti
These paintings by McLean-based artist Maroe Susti depict figures, often in groups, assembling, relating, and coming together in unity. Often the figures merge together, so that while they do retain their individuality, they also become part of a larger whole. Relationships, both with the self and with others, are a primary concern, as is the vast continuum and never-ending wheel of time.
Maroe Susti, Rage, oil on canvas, 72 x 52 inches, 2003
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Marc Robarge, Fruitful Dialogue
wood, plaster, bark, stain, 2003
13 x 39 x 9 inches
Elizabeth Burger, Reversal
seepods, wood, was, reed and algae, 2002
4 ft x 3 ft x 7 inches
Margaret Boozer, Dirt Drawing I,
2006, lavender, terra cotta and
raspberry clays
Laura Thorne, Nascent
bronze, steel and aluminum,12 x 8 inches
Janet DeCover, Maris
oil on wood, 2006,
32 x 36 inches
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November 30 – January 13
Emerson Gallery:
PhotoGenesis
review by Michael O'Sullivan, Washington Post
This juried exhibition features artists whose work springs from photographic images, ideas or techniques. Juried by Charles Brock from the National Gallery of Art, Claudia Bohn-Spector, independent curator, and Stephen Bennett Phillips of the Phillips Collection, the works in this exhibit cover a broad spectrum of styles, media and approaches including collage, text, found objects and digital images. As Bohn-Spector states, “It’s all fair game in this exploration of creative possibility”.
The artists included in the exhibit are:
Shahla Arbabi
Michael Barolet
Lynden Cline
Catherine Day
Bonnie Collier
Heidi Fowler
Jenny Freestone
Travis Fullerton
Michael Janis
Franz Jantzen
Maria Karametou
Aimee Helen Koch
Lisa McCarty
Michael Mendez
Jeffrey Smith
Amy Glengary Yang
Atrium Gallery:
Beyond the Box: Drawings by Hsin-Hsi Chen
Maryland artist Hsin-Hsi Chen creates three- dimensional drawings with the most elementary of materials, paper and pencil. Expanding on the limitless possibilities of this medium, Chen constructs black and white drawings/objects that simultaneously depict and encompass space. In so doing, these works calmly occupy a realm that rests at the intersection between reality and imagination.
Ramp Gallery:
Perceptions of Nature: Paintings by Lucy and Dirk Herrman
McLean artists Lucy and Dirk Herrman share a love of nature and an interest in interpreting what they see and experience in the natural world. Painting on canvas in both acrylic and oil, both these artists begin with direct observation of the landscape, which is then filtered through imagination, memory and the physical act of painting to create works which are indicative of each artist’s individual style and sensibility. While Dirk combines areas of flat, intense color with a concern for the underlying structure of the landscape, Lucy mixes and moves color to create blended scenes that emphasize subtle nuances of shadow and light.
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Michael Mendez
Ten Year Chip
64 x 41 inches, photogram
Jeffrey Smith
The Ambition of Ghosts
60 x 60 inches, oil on wax paper
Maria Karametou
Smooth
14 x 11 inches, hair, teabags,
manipulated photographs
Hsin-Hsi Chen
Penumbra 6
graphite on paper, 9.5 x
9.5 x 1.75 inches.
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September 14 - November 4
Reception and Gallery Talk,
September 14, 7 - 9 PM
Artist's Image Talk with Inga McCaslin Frick, October 5, 7 PM
Emerson Gallery:
Illusion: Now, Mind and World
New Work by Inga McCaslin Frick
Curator's Statement
Inga McCaslin Frick creates large and complex works that deftly combine painting, assemblage and digital images. Exploring far reaching ideas that include the nature of spatial perception and how subjective and objective reality combine to create experience, these pieces speak clearly to both intellect and imagination. In addition, they also draw the viewer into an engaging and often arresting dynamic based on a visceral reaction to the interaction between materials and technique.
Atrium Gallery:
ColorScapes: Recent Works on Paper
by Howard Dean Spector
Inhabiting the territory between landscape and abstraction, these paintings by Maryland artist Howard Dean Spector highlight the formal elements of color interaction, boundary definition, conversations between positive and negative space, and flat vs the illusion of depth. These tightly composed works radiate a sense of completeness, each painting a small world sufficient unto itself, an inviting destination for the searching imagination..
Ramp Gallery:
Uncovering Home:
A visual Essay on Jamestown Archaeology
On loan from the Virginia Museum of Fine Arts, Office of Statewide Partnerships, this exhibition includes photographs that paint a vivid picture of the struggles of the early colonists, while illustrating critical processes of historical archaeology. The exhibit is on display as part of the statewide Jamestown Anniversary celebrations.
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Inga McCaslin Frick
Cradle, 94 x 103, mixed mediaand pigment print.
Howard Dean Spector
ColorScapes III, #70
Acrylic on paper, 24 x 19
Bartmann jug
Photo courtesy of APVA Preservation Virginia
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June 22 - July 29
Reception June 22 7 - 9 PM
Emerson and Atrium Galleries:
Space-Domestic
Curator's Essay
Including works by Amze Emmons, Andy Moon Wilson, Gianna Commito, Hildegard Skowasch, Isabel Maria Manalo, Lily Cox-Richard, Thomas Henriksson and Warren Craghead.
This exhibit, guest-curated by artist Jiha Moon, explores the idea of space as subject matter. It includes investigations into personal and public zones, the line between fantasy and reality, and the juxtapositions and dislocations that can exist between interior and exterior space. Boundaries, both real and metaphorical are also considered. All of these artists use their physicality, through the act of painting and drawing, to pursue their ideas.
Ramp Gallery:
MPA/Corcoran Student Exhibition
Works by students currently or recently taking classes at the McLean Project for the Arts
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Gianna Commito
Lounge
acrylic on paper
35 x 32, 2005
Amze Emmons
Discarded Personal Ephemera
graphite, gouache,
acrylic on panel, 20 x 24, 2006
Andy Moon Wilson
The Dude Project
mixed media installation, 2005
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Through June 10
Emerson Gallery:
Please note: Effective April 21, works on paper, photographs and paintings from GENERATIONS have been removed from the gallery due to low humidity conditions. Four original sculptures and reproductions of works removed are currently exhibited.
Personal Mythology: Works by Percy Martin
Curator's Essay
Washington artist Percy Martin exhibits the latest in a series of prints he has been working on for the past twenty-five years. These complex, fluid and playful works detail the daily lives and rituals of the Bushmen, a mythological cultural that springs directly from Martin's imagination. Full of complex imagery and many -layered symbols, these lush pictures take us on an enchanting journey even as they teach us the harsh lessons of a distant time and place.
Atrium Gallery:
Reproductions of African-American art from the Virginia Museum of Fine Arts Collection
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Percy Martin
Bushman Series
watercolor on paper
30 x 40 inches.
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March 2 - 18
Reception: March 11, 1 - 3 PM
Elements: Annual Youth Art Show featuring works by students from McLean area elementary schools.
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March 23 - April 5
Reception March 23, 5:30 - 7:30
Transitions: Annual Youth Art Show featuring works by young artists from McLean area middle and high schools.
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painting by Natalie Nolls
6th grade, Chesterbrook Elementary School
Graphic art by Chase Hill
Senior, Langley High School
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January 19 - February 25
Reception: January 19 - 7 - 9 PM
Gallery Talk: 7 PM
Emerson Gallery
Casting a New Light
Curated by Jerry Spagnoli, co-curated by Alyssa Salomon
Casting a New Light highlights significant national artists making current work that revitalizes antique photographic technologies and practices. The ten artists included in this exhibit often struggle with difficult and archaic processes such as daguerreotypes, calotype negatives, salt prints, tintypes and photograms to make work that, while paying homage to the past, is thoroughly informed by contemporary culture and concerns. This exhibit is co-originated by Second Street Gallery, Charlottesville, VA and 1708 Gallery, Richmond, VA.
Atrium Gallery
Alyssa Salomon
All Before My Eyes: Modern Views from 19th Century Photographic Formulations
Richmond based artist Alyssa Salomon also utilizes historic photographic processes to create personally expressive works based on light and shadow. These paired images do not necessarily read as photographic in origin, but rather highlight what the artist describes as "luminous experience". Bases formally on the layouts of 18th Century encyclopedias and 20th Century instructional manuals, these works explore the connections between reality, photography and memory.
Ramp Gallery
Pieced Together: Melissa Laitsch
Photographer Melissa Laitsch uses a high -resolution digital camera to capture transient moments within a particular landscape. Building each image from a series of nine to twelve different photographs, she reconstructs the landscape, paying careful attention to the progression of the viewer's eye across the image and highlighting the differences between what we think we see and what we actually do see.
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Mark Osterman
Free Show Tonight (The Pitch), 2005
12 x 16 inches, ambrotype
Alyssa Salomon
Nothing But Blue Skies Postcard
photogram
 Melissa Laitsch
Blue House
Archival Digital Photo Print
13 x 19 inches,
2004
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December 6 -January 14
Reception and Gallery Talk:
December 8, 7 - 9 PM
Emerson Gallery
Seeds: Gail Gorlitzz and Karin Birch
curator's essay
The common ground between Gail Gorlitzz's sculptures and Karin Birch's two dimensional works lies in a shared organic and additive approach to fashioning artwork. Both artists build from small components, be they beads, stitches or brushstrokes, compiling hundreds of small parts, pieces or gestures into works both complex and harmonious. Gorlitzz' strange and fantastic three-dimensional beaded creations hang from the walls and ceilings, comfortable in all their intensely colored and sinewy glory. Birch's small abstract works made from paint, stitches and beads on canvas have a more subtle energy. Their quiet glow extends well beyond the confines of the picture plane.
Atrium Gallery
Second Nature: Pulp Paintings by Ellen Hill
By building her images from colored paper pulp, Maryland artist Ellen Hill creates two dimensional works through a layering process that seems almost sculptural. Color, texture, line and gestural atmospheric effects are piled, pulled and stacked together to make lively abstractions rich with a myriad of associations.
Ramp Gallery
McLean Art Club Juried Exhibit
An ecclectic mix of work by members of the McLean Art Club.
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Gail Gorlitzz
Babylon I
glass, plastic tubing, metal
wire, length apx 18'
Karin Birch
Broken Time
fiber, 18" x 20"
Ellen Hill
Arctic
pulp painting, 28 1/2" x 29 1/2".
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September 15 - November 5
Reception and Gallery Talk,
Thursday, September 15, 7 - 9 PM
Emerson Gallery
A View Through:
Sculpture by Tess Cummins
Curator's essay
Using unusual and idiosyncratic materials, including weathered copper roofing sheet, gemstones, wrapped copper wire and handmade hinges and chain, Richmond artist Tess Cummins creates sculpture that transports the viewer to an archetypal and enigmatic world. Diminutive in scale but not impact, her sculptures owe their aesthetic genesis to both contemporary sculpture and drawing and to the metalsmithing processes used in ancient jewelry design. This work has the quirky, obsessive edge often associated with outsider art coupled with a sophisticated design sense and a meticulous attention to detail.
Paula Crawford: Paintings
Curator's essay
Paula Crawford's abstractions are firmly rooted in the process and materials of painting. Using a grid structure to ground each piece, Crawford also introduces a deeply enigmatic and energetic depiction of space, which alternately recedes, comes forward or lies flat on the picture plane. There is a dynamic underlying conversation between structure and improvisation in these nearly black and white paintings. This gives the work both content and visual snap. While the images derive much of their strength from the formal dualities they encompass- darkness and light, gestural and geometric- the y also bring to mind a wealth of open -ended references.
Atrium Gallery
Nature Examined:
Drawings by Beverly Ress
Exploring both the wonder and the brutality of nature is a central concern for Maryland artist Beverly Ress. Her intensely observed, starkly poetic drawings depict fragments from the natural world rendered with great care in order highlight the inherent and inevitable cycles of life and death. These drawings demonstrate with quiet dignity the terrible beauty in all things.
Ramp Gallery
Bodies of Paint: Works by Anthony Brock
Working loosely and with a broad palette, McLean artist Anthony Brock's expansive paintings on plastic sheeting explore both figurative and purely abstract imagery.
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Tess Cummins
Bond Fort
copper sheet, wire and velvet
19 x 10 x 8 inches.
Paula Crawford
Untitled
oil on canvas, 76" x 76", 2004
Beverly Ress
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June 16 - July 30, 2005
Emerson and Atrium Gallery
Strictly Painting 5
Curator's essay
A juried exhibit featuring painters currently working in the Mid-Atlantic region
This biennial juried exhibition presents the work of artists exploring the medium of painting who reside in the Mid-Atlantic region. Juried by Jonathan P. Binstock, Curator of Contemporary Art at the Corcoran Gallery of Art, the exhibit includes works by nineteen artists who were chosen from approximately two hundred entrants. Each exhibiting artist is represented by two to four pieces. Participating artists include: Seth Adelsberger, Brian Balderston, Saul Becker, Calvin Burton, Suzanna Fields, Kurt Godwin, Josephine Haden, Susan Jamison, Elsie Kagan, Karey Kessler, Lisa McCarty, Timothy Michael Martin, Nan Montgomery, Jiha Moon, Susan Moore, Phyllis Plattner, Jody Schwab, Nora Sturges, and Ian Whitmore.
winners of the Strictly Painting prizes:
1st Place: Susan Moore
2nd Place (tied): Nora Sturges
2nd Place (tied): Brian Balderston
Honorable Mention: Karey Kessler
Honorable Mention: Phyllis Plattner
Ramp Gallery
Corcoran Student Exhibit
An exhibit of works by Corcoran/MPA students from 2004/2005
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April 28 - June 4, 2005
Reception and Gallery Talk, April 28, 7 - 9 PM
Emerson Gallery
Rebecca Kamen: Meta
Curator's essay
For over thirty years Rebecca Kamen's two and three-dimensional work has explored the nexus of science, myth and art. Influenced by the early cultures of Italy, Asia and South America, her richly complex images and forms integrate her investigations into such diverse ideas as modern String Theory and the ancient mapping systems of the Inca people.
Atrium Gallery
Peggy Feerick: Food Memories
Curator's essay
Photographer Peggy Feerick's second passion next to art is food. In this new body of work she examines both the illusions and allusions inherent in her relationship with this life sustaining substance.
Ramp Gallery
Student Select: Works by art students from the Alexandria Campus of Northern Virginia Virginia Community College and George Mason University.
Exhibiting works by students who have studied with Rebecca Kamen at Northern Virginia Community College and Peggy Feerick at George Mason University and open to all George Mason and NOVA art students.
Details about this exhibit: www.novastudentselect.com
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 Josephine Haden
Globalization 2004
acrylic on canvas 48" x 72"
Kurt Godwin
Rakes Progress (Churn)
acrylic on canvas 52" x 52"
Peggy Feerick
Food Memories
Rebecca Kamen
Blessing for Haloli
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| past exhibitions 2002-2004 |
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